How old is rob zombie 2011

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Instagram Facebook Twitter YouTube. Get your order in today! You can order yours today. Privacy Policy Required. His younger brother, Michael David is the lead singer of the industrial metal band Powerman White Zombie officially disbanded in , producing a total of four albums and ranking at No.

His second studio album, The Sinister Urge was released in and sold over a million copies. After taking some time to focus on his film career, Zombie returned to the music scene in with the album, Hellbilly Deluxe 2: Noble Jackals, Penny Dreadfuls and the Systematic Dehumanization of Cool.

Rob Zombie made his directorial debut in with House of Corpses. We would have to remove every wrong car, change out all the clocks and lamp posts to give it an authenticity, which we didn't have the money to do. Stand in the background; you know, your best days are over. Do they ever get found? And that was really what inspired the movie.

The franchise was already dead, and they hadn't made a film for so long. So I made one, walked away, they tried to get another one going again, so I came back and made another one. And it's been five years since my last one [ Halloween II ], and they're still having trouble. You might not have liked what I did, but if anything, I brought the franchise back to life because it was just laying there. It pumped the life back into it, whether you liked it or not is a different argument.

Even when I was doing this movie [ 31 ] - people just have a thing with clowns. I don't know why. I mean, I like them, I don't find them funny, but I find them interesting.

But I guess because of that makeup - you know, take some grease paint, it doesn't take a lot of effects, it doesn't take an elaborate costume. Put a little bit of makeup on your face and it totally transforms the person. In fact that's why, with Richard Brake 's character, I kept his makeup so simple.

Because even I was amazed at how little makeup you could put on somebody and totally lose their features, and I didn't want to lose his features, because they're pretty striking. But if I put this crazy Bozo makeup on him, it'd be like, well now I can't even tell what his face is doing. And even a movie like It , the original one, who the fuck could tell that's Tim Curry?

It's amazing how much it can transform someone's face. I would write my usual way, but when going through it again, you realize you have too many characters, or there are too many situations going on. That's when you cut, cut, cut and make the script more precise. Knowing from my past experience how shooting days were going to go, I could find what the script could be. While we were shooting, I kept on thinking how crazy everything was.

There's a lot of action in the film. Like, how am I going to do a double chainsaw fight sequence in one day? It's so easy to write it down, but when it comes to actually doing it, you realize how much struggle it is. The fight scenes were easily the most time-consuming thing on this movie. They didn't have time to be consumed. I love the Universal stuff 'cause a lot of it is 69, 70 minutes. Get to the point, boom, body out of the grave, let's build a monster!

After 90 minutes, I get a little squirrely in the feet. Especially if you're seeing simple things, like I don't want a two and a half hour superhero movie. Cut out an hour of that. I guess some people feel like they get their money's worth if it's longer, and it seems more epic, but I never felt like more is more in that sense. I like things to be concise. I was on a plane the other day and was watching The Thrill Killers , which was a completely cheap, nothing movie.

Like why was I more entertained by this more than a blockbuster movie? One day of catering on The Dark Knight cost more than this movie. I've always liked really simple premises, like The Sadist It was twenty days, and twenty days to make a movie is psychotic because you've got to nail it.

There was a lot of pressure on everybody to get as much as we can on the first take and everything had to be awesome so we don't fall behind schedule. So I knew I needed to bring in enough actors that I had worked with; I couldn't have many actors I've never worked with and expect it not to be a catastrophe. So there were a lot of familiar faces and people who came into the fold. I have a large group of actors I can pull from now, which is nice because, for instance, when we were casting Father Murder, I knew I needed someone instantly recognizable who could carry the dialogue.

I did some auditions and found some great people, but they weren't people you would recognize by face, and they needed to be someone you'd embrace once they come on screen.

So that's when I thought, "Let's just call Malcolm [ Malcolm McDowell ] and see if he's available for two days to come down and shoot. But the shooting was really psychotic, and there's one scene in '31' in particular where there's a two different fights happening simultaneously with chainsaws which was very complicated to shoot.

We had one day to shoot it, and I've talked to people who worked on movies where comparable scenes had weeks to shoot something like that, like sword fights that took six weeks to shoot. We had eight fucking hours, and that's including special effects and stunt doubles and doing it all carefully and safely.

It wasn't the smartest idea on my part. The limited schedule is why I had to make some of the characters more cerebral in stalking and killing. We had to thinking about what was possible to make happen and anything where we could go, "Who gives a shit? When you have an hour and a half to shoot all these characters battling away, it's insanity but I will get it done.

Strangely enough, we didn't suffer from time constraints; we just became really good at shooting fast. Once you don't have time to fuck around, you don't have time to second guess yourself, and if there is a problem, you have to solve it instantly. We actually didn't have a ton of deleted scenes on '31' because so much was cut in the planning stage. When I can't afford to lose two days on a twenty day schedule, I'm not going to spend time shooting stuff I'll never use.

The script was purposefully really tight, whereas with previous films, there's been entire subplots cut out. Now these films are so famous, but at the time, when you'd go see these movies, you were seeing them in these shit theaters in the middle of nowhere. I never like to use the term "grindhouse," but I was lucky enough to live in New York City in the early '80s and go to 42nd Street to see movies like Cannibal Holocaust or Cannibal Ferox And it was a crazy thing.

I mean, you felt like you were going to get killed just being in the theater. They were filled with junkies and prostitutes - it wasn't really like going to the movies, because it was 42nd Street. It was dangerous and weird and you always saw people get into fights and get stabbed. It was crazy! The movies and the surroundings became one and the same, almost. And most people didn't know about these movies. They weren't popular at the time.

There was something special about them. There was just a vibe; they were movies being made for such a select audience that most people didn't know about. And I was fine with that. That's what I liked about it. They were so different, so outside the mainstream. If you could even find one other person in your high school who had even heard of these movies back then, it would be a miracle. Now, with the Internet, everybody knows everything, nothing's special, everything's on Blu-ray, you can watch it whenever.

I like movies like that, that was cool. I've been watching Stranger Things , you know, that's pretty cool. Feels like, you know, such a throwback, the kids seem like, right out of E. Freaks is phenomenal. I love Tod Browning , and there's so many great films he's made.

If ever there was a biopic, I would want to do it. He's responsible for so many classics, especially in the silent era, and I'm a big fan of silent films.

Especially Lon Chaney and all the great ones are by Tod Browning. I love all those movies too, because they're so short and impactful. Movies now, and this might sound stupid, but they're so fucking long and dragged out. Every time I see a movie now I'm always like, "Boy, I would've loved this movie if it ended 20 minutes earlier. View agent, publicist, legal and company contact details on IMDbPro.

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